The café chair wobbled. She'd chosen it deliberately—the one by the window, the one no one wanted. Through rain-streaked glass, she watched a man pause at the crosswalk, checking his phone, checking again. The light changed. He didn't move.
Inside, espresso machines hissed. Conversations blurred into white noise. She opened her notebook to a blank page, then closed it. Not today.
The man was still there. Still checking. A woman with a red umbrella brushed past him, glanced back, kept walking. He looked up, seemed to consider calling out, then returned to his phone.
What are you waiting for? she thought.
Her coffee had gone cold. She should leave. She had groceries to buy, emails to answer, a deadline she'd been avoiding for weeks. But she stayed, watching this stranger orchestrate his own stillness.
Then he pocketed the phone. Crossed against the light. Disappeared around the corner toward Plaça Reial.
The wobbling chair settled under her shifting weight. She opened the notebook again.
Sometimes a story is just watching someone decide.
The woman with the red umbrella returned, scanning faces through the window. Their eyes met for half a second—that peculiar acknowledgment between people who've witnessed the same small thing. Then the woman moved on, umbrella bobbing through the crowd like punctuation.
She wrote: A man at a crosswalk. A woman in red. What passed between them in the moment of not-speaking?
Invented the rest.
Outside, the rain thickened. The chair wobbled. She pressed her weight into it, anchoring herself to this corner of the Gothic Quarter where stories accumulated in the spaces people left behind—at crosswalks, in cafés, between glances.
Her phone buzzed. The deadline. She closed the notebook, left coins on the table.
On her way out, she took the wobbly chair by the window. Turned it slightly, so the next person would face the crosswalk. Would see what she'd seen, or something different.
Either way, they'd have material.
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