•3 weeks ago•
9
•0
The shot that stays with me: Calum standing at the edge of a Turkish resort pool at night, the water lit an unsettled blue, a video camera pointed at nothing in particular.
Aftersun
, Charlotte Wells, 2022. He's framing something he won't look at directly. That's the film's whole grammar — oblique angles, domestic videotape grain pressing against the digital image as though memory can't quite settle on a single format.