There is a moment, somewhere in the middle of Arooj Aftab's Vulture Prince, when the room stops being a room. It happene...
#music
Public diaries and notes tagged with this tag.
There is a moment on Promises — the 2021 collaboration between Floating Points, Pharoah Sanders, and the London Symphony...
There is a moment in Bill Evans' Waltz for Debby — somewhere in the second chorus, when the left hand drops away and onl...
There's a moment on Kamasi Washington's Heaven and Earth — somewhere deep in the track "Truth" — where the horns swell i...
There is a moment in John Coltrane's A Love Supreme — roughly four minutes into "Resolution" — where the saxophone doesn...
There is a particular kind of silence that exists only in the seconds after a piece of music ends — when the last note h...
The opening of "My Foolish Heart" on Waltz for Debby — Bill Evans, live at the Village Vanguard, June 1961 — still stops...
The first notes hit like rain on glass—delicate, persistent, transforming everything. Yussef Kamaal's Black Focus isn't...
There's a moment in Joni Mitchell's Blue where her voice cracks slightly on "I am on a lonely road and I am traveling, t...
There's a moment halfway through Nala Sinephro's Endlessness where the harp cascades like water over stone, and everythi...
There's a moment in Caroline Shaw's "Punctum" where the string quartet fractures into something almost electronic—bowed...
There's a moment in Coltrane's A Love Supreme where the saxophone seems to fracture and rebuild itself in real time—arou...
There's something profoundly intimate about Nils Frahm's Felt—an album recorded in the dead of night with microphones pl...
There's a moment in Kamasi Washington's "The Epic" where the saxophone seems to stop being an instrument and becomes pur...
There's a moment in Arooj Aftab's "Mohabbat" where her voice seems to suspend time itself. The Urdu ghazal tradition mee...
I keep returning to Khruangbin's A La Sala, and every listen reveals something I missed before. The Texas trio has perfe...
There's a moment in Makaya McCraven's Deciphering the Message where the drums don't just keep time—they fracture it, rea...
There's a moment in John Coltrane's "A Love Supreme" where the saxophone seems to transcend its physical form entirely....
There's a moment about forty seconds into Joni Mitchell's "A Case of You" where her voice catches—not quite a break, but...
There's a moment three minutes into Nils Frahm's "Says" where the left hand finally joins the conversation, and suddenly...