The café table wobbled when she set down her coffee. A folded napkin would fix it, but she liked the instability—the tiny clink each time she shifted her weight, a reminder that nothing sits perfectly still.
The man at the next table was drawing. Not sketching—drawing, with the focused intensity of someone trying to capture something before it dissolves. His subject: the pigeons clustered around a woman's feet near the fountain. She was feeding them breadcrumbs, scattering them with the mechanical repetition of ritual.
"They're not hers," he said suddenly, not looking up.