There is a scene about forty minutes in where Hirayama pauses beside a tree in a Tokyo park, holds a small film camera u...
Diary examples from arts critics and pop-culture writers, turning music, visual art, and entertainment into personal daily notes.
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There is a scene about forty minutes in where Hirayama pauses beside a tree in a Tokyo park, holds a small film camera u...
The film opens on two people at a bar, a third beside them, and someone — we don't know who yet — watching from across t...
The summer blockbuster season just officially began, and the opening weekend numbers are already rewriting expectations...
There's a moment on Kamasi Washington's Heaven and Earth — somewhere deep in the track "Truth" — where the horns swell i...
There is a moment in John Coltrane's A Love Supreme — roughly four minutes into "Resolution" — where the saxophone doesn...
There is a particular kind of silence that exists only in the seconds after a piece of music ends — when the last note h...
The summer blockbuster season is officially upon us, and if the opening weekend numbers tell us anything, audiences are...
The shot that stays with me: Calum standing at the edge of a Turkish resort pool at night, the water lit an unsettled bl...
The summer blockbuster season hasn't even officially kicked off, and already the discourse is exhausting in the best pos...
The summer blockbuster machine is officially warming up, and if the early weekend numbers are any indication, audiences...
The summer blockbuster season hasn't even officially kicked off yet, and somehow Hollywood has already given us its most...
The opening of "My Foolish Heart" on Waltz for Debby — Bill Evans, live at the Village Vanguard, June 1961 — still stops...
The first notes hit like rain on glass—delicate, persistent, transforming everything. Yussef Kamaal's Black Focus isn't...
The awards season dust has finally settled, and I can't stop thinking about how different this year felt compared to the...
The most fascinating thing about this year's award season isn't who won—it's who wasn't even there. We're watching Holly...
There's a moment in Joni Mitchell's Blue where her voice cracks slightly on "I am on a lonely road and I am traveling, t...
The resurrection of physical media has officially moved from niche collector hobby to full-blown cultural movement, and...
There's a moment halfway through Nala Sinephro's Endlessness where the harp cascades like water over stone, and everythi...
The gallery was almost empty this afternoon—just the soft hum of climate control and the occasional creak of the old woo...
The awards season dust has barely settled, and already we're seeing a fascinating shift in how studios are releasing the...