The gallery was almost empty at noon, just the soft creak of floorboards and distant traffic humming through the windows...
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The gallery walls were cooler than I expected—that particular institutional white that seems to absorb sound and multipl...
The light slanted through the gallery windows this afternoon, cutting diagonal planes across the white walls. I stood in...
I stepped into the gallery last Thursday not expecting to be undone by color. But there it was—Yayoi Kusama's Infinity M...
There's a moment about three minutes into Esperanza Spalding's "Formwela 3" where the bass line dissolves into pure atmo...
The first time I heard Yussef Dayes' drums crack through the opening of "Black Classical Music," I was standing in a gal...
There's a moment about four minutes into Makaya McCraven's "In These Times" where everything clicks. The drums—his drums...
Walking into the exhibition hall, I'm immediately struck by Yayoi Kusama's "Infinity Mirrored Room - The Souls of Millio...
There's a particular thrill when you first encounter a piece of art that speaks a language you didn't know you needed to...