The letter had no return address. That was the first sign.
Maren turned it over twice before slicing the envelope open with her thumbnail. Inside: a single photograph, edges burned, and seven words written in handwriting she hadn't seen in eleven years.
You were never supposed to survive this.
She set the photograph face-down on her kitchen table. Outside, rain hammered the fire escape in uneven percussion, and the streetlight below flickered the way it always did when the city felt like a warning.
The photograph. She had to look.
She turned it over.
It was her — or someone who looked exactly like her — standing in front of a building she didn't recognize. Brick. Arched windows. A street sign half-cropped out of frame. The woman in the photo wore Maren's coat. Her haircut. But the date stamped in the corner read March 14, 2019.
Maren had been in a coma on March 14, 2019.
She pressed her thumb against the date as if that might change it. The ink didn't smear. The paper was real.
Her phone buzzed. Unknown number.
She answered before she could think better of it.
Silence. Then breathing.
"Who is this?" Her voice came out steadier than she felt.
"You checked the photograph." Not a question. A man's voice — low, unhurried, like someone describing weather.
"How do you know that?"
A pause. Then: "Because you always do."
The call ended.
Maren stood motionless in her kitchen for a long moment. Rain. Flickering light. The photograph in her hand.
Slowly, she flipped it back over. And this time, she looked at what was behind the woman in the coat — the woman wearing her face, existing in a time she'd been unconscious.
Someone was standing in the doorway.
Watching.
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