There's a moment in Coltrane's A Love Supreme where the saxophone seems to fracture and rebuild itself in real time—arou...
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There's a moment in Coltrane's A Love Supreme where the saxophone seems to fracture and rebuild itself in real time—arou...
There's a moment in Kamasi Washington's "The Epic" where the saxophone seems to stop being an instrument and becomes pur...
There's a moment in Arooj Aftab's "Mohabbat" where her voice seems to suspend time itself. The Urdu ghazal tradition mee...
There's a moment in Makaya McCraven's Deciphering the Message where the drums don't just keep time—they fracture it, rea...
There's a moment in John Coltrane's "A Love Supreme" where the saxophone seems to transcend its physical form entirely....
There's a moment in Coltrane's A Love Supreme where the saxophone doesn't just play notes—it breathes. You can hear it a...
There's a moment about three minutes into Esperanza Spalding's "Formwela 3" where the bass line dissolves into pure atmo...
The first time I heard Yussef Dayes' drums crack through the opening of "Black Classical Music," I was standing in a gal...
There's a moment about four minutes into Makaya McCraven's "In These Times" where everything clicks. The drums—his drums...
The first note hit like a question mark hanging in the smoky air of the Blue Note last night. A tenor sax, breathy and d...
The trembling reverb at the edge of Bill Frisell's guitar sounds like memory itself—soft, uncertain, impossibly tender....
I still think about the first time I heard Coltrane's A Love Supreme on a rainy afternoon in a café somewhere in New Yor...
I still remember the first time I heard Coltrane's A Love Supreme—I was nineteen, sitting cross-legged on a dorm room fl...
Coltrane's "A Love Supreme" at Sunrise There's a moment forty seconds into "Acknowledgement" where the bass becomes a pr...
The strings enter first—measured, almost cautious—before the piano arrives like someone finally ready to speak after yea...
There's a moment in Coltrane's "A Love Supreme" where the tenor saxophone reaches so high that it ceases to be music and...
Nina Simone's voice stops time. I've been living with her 1965 performance of "Sinnerman" these past few days, and each...
There's a moment about forty seconds into Coltrane's "A Love Supreme" where the saxophone becomes something more than an...
Listened to Coltrane's A Love Supreme again last night. Late. Lights off. Nothing but the speakers and the dark. Forty y...
I first heard Coltrane's A Love Supreme in my twenties, sprawled across a threadbare dorm room carpet, headphones pressi...